Showing posts with label Johnny Carson. Show all posts
Showing posts with label Johnny Carson. Show all posts

Saturday, July 20, 2013

The National Debut of the Comeback Kid



"I felt as if the speech was a 200–pound rock I was pushing up a hill. I later joked that I knew I was in trouble when, at the 10–minute mark, the American Samoan delegation started roasting a pig."

Bill Clinton
My Life (2004)

When this day dawned 25 years ago, it is probably safe to say that most Americans did not know who Bill Clinton was.

I did because I lived in Arkansas. I grew up there, and, on this day in 1988, Clinton had been governor of the state for a total of more than seven years (not continuously). He had been the state's attorney general for a couple of years prior to becoming governor.

But outside of Arkansas, most people, as I say, probably had not heard of him. That would change before this day was over, though — and not necessarily in a good way, either.

In his presidential memoirs, Clinton wrote that "[a] couple of months before [the Democratic] convention opened in Atlanta, [presidential nominee–to–be] Mike [Dukakis] asked me to nominate him."

(It is traditional for presidential candidates' names to be placed in nomination prior to the roll call of the states, even if the candidate has no chance of winning. It is a practice that goes back to a time in America when conventions really did meet to choose nominees, and no one knew who that might be.

(At most conventions since the end of World War II, there has been no suspense about who the presidential nominee would be. Therefore, being chosen to place the presumptive nominee's name in nomination has become quite a feather in the speaker's cap but hardly strategically important to the nomination process.)

Clinton went on to write that Dukakis felt that, although he was leading then–Vice President George H.W. Bush in the polls, it was necessary for Clinton to "introduce him" to the nation "as a leader whose personal qualities, record in office and new ideas made him the right person for the presidency."

A candidate whose name was to be placed in nomination was allotted 25 minutes for the nominating and seconding speeches, which typically were divided between two, three, sometimes four speakers.

"Because I was his colleague, his friend and a Southerner," Clinton wrote, "they wanted me to do it and to take the entire allotted time."

Clinton agreed but (perhaps with the benefit of considerable hindsight) wrote that he was "flattered ... but wary."

"Conventions are loud meet–and–greet affairs where the words coming from the platform are usually just background music," Clinton wrote, "except for the keynote address and the presidential and vice–presidential acceptance speeches."

In his memoirs, Clinton claimed that he explained to the people in Dukakis' campaign that a long speech was not likely to succeed "unless the delegates and the media were prepared for it." He suggested dimming the lights and having the campaign's floor operatives "keep the delegates quiet. Also [the delegates] couldn't clap too much or it would substantially increase the length of the speech."

Twenty–five years ago today, Clinton said he brought a copy of the speech to Dukakis' hotel suite and showed it to the candidate and his advisers. It would take about 22 minutes to deliver, 25 if applause was minimal, and Clinton promised to cut as much as the campaign staff thought was necessary. Clinton was told to "give it all. Mike wanted America to know him as I did."

Considering the results of that year's election, it is tempting to say "mission accomplished." But that isn't the whole story.

It could well have been the mother of all convention fiasco speeches.

Clinton's speech dragged on for more than half an hour with the delegates erupting into wild applause with every mention of Dukakis' name. Otherwise, though, they appeared to pay little attention.

Network observers made jokes at Clinton's expense that were punctuated by a technician making a cutting motion across his throat, apparently in an attempt to encourage Clinton to wrap it up.

"I had some good lines," Clinton recalled, "but, alas, the biggest applause line I got was near the painful end when I said, 'In closing ...' It was 32 minutes of total disaster."

I was packing to move to Texas when the Democrats convened in 1988, but I remember that, when Clinton returned to Arkansas after the convention, the people of Arkansas were quite warm and supportive. Even those who had disagreed with his politics over the years empathized with what he had been through in Atlanta. Some were even indignant about Clinton's treatment (although, privately, they weren't quite that upset).

Clinton, however, still held his White House ambitions, and he needed some way to overcome the image problem created by his nomination speech.

An appearance on The Tonight Show with Johnny Carson was thought to be the answer.

Carson had been making jokes about Clinton's speech in his monologues. In his memoir, Clinton wrote that one of Carson's "more memorable lines was 'The speech went over about as well as a Velcro condom.' "

After negotiations between Clinton's staff and Carson's, it was decided that Clinton would be a guest, and he would bring his saxophone. The reasoning was simple: Carson had a policy of not having politicians on the show, and, by agreeing to play the sax, Clinton made it possible for Carson to continue to ban politicians (well, those who couldn't play a musical instrument).

Clinton had been playing the sax for years, but most Arkansans didn't know it. Turned out that he wasn't bad, either.

But first there were all sorts of gags that related to Clinton's speech.

Carson gave Clinton an introduction that seemed like it wouldn't end, then, when Clinton came out, Carson pulled out an hourglass and put it on the desk.

Clinton seemed to be a punching bag that was too big to resist.

Clinton did pretty well for himself, though. He explained to Carson that he wanted to make Dukakis look good, and "I succeeded beyond my wildest imagination!" Clinton also told Carson that Dukakis liked the speech so much he wanted to send Clinton to the Republican convention to nominate Bush.

My favorite line from Clinton, though, was when he told Carson he had blown the nominating speech deliberately.

"I always wanted to be on this show in the worst way," he said, "and now I am."

It was a public relations triumph. Clinton charmed Carson and earned his redemption with the voters. When he sought the presidency four years later, Clinton was seldom asked about his speech in Atlanta.

It was the night of the New Hampshire primary in 1992 when Clinton declared himself the "comeback kid" after finishing second when he had declined precipitously in the polls following Gennifer Flowers' assertions that she had an extramarital affair with Clinton.

Clinton's resilience was well known in Arkansas. Several years earlier, after he lost a gubernatorial re–election bid, he sought the office again and defeated the man who had beaten him in the previous election. From that day forward in Arkansas, he was the comeback kid.

(Actually, he was called Kid Comeback before he won that political rematch — as you can see in the above cartoon that was drawn by a college classmate of mine.)

But it was in Atlanta — and then Los Angeles — nearly 3½ years before the New Hampshire primary when Clinton first established himself nationally as the comeback kid.

Friday, July 29, 2011

How Hot Is It?

It's been nearly 20 years since Johnny Carson left The Tonight Show, but, if you can remember when he was the show's host, you can probably remember many of his ongoing routines.

I'm thinking of one in particular that was usually likely to surface during Carson's monologue, but it could happen at any time. It frequently popped up when something really extreme had been happening — for example, a lot more (or a lot less, for that matter) rain than usual.

He would say something like, "It was so wet (or dry) today that ..." and, before he could finish the joke, the audience would roar as one, "How wet (or dry) was it?"

As I say, it could be anything extreme — or anything, at least, that was perceived to be extreme. It could be "Dan Quayle is so dumb" or "Al Gore is so wooden."

Weather was always a good source, but it could be anything. Carson and his writers could be very creative at times.

(All together now — How creative were they?)

Lately, as the nation has been enduring the kind of heat wave that usually seems to be reserved only for Texas, I've been missing Carson.

Well, actually, as far as I am concerned, late night TV has never been the same since he left — so missing Carson is not a new thing for me — but, when there's something in progress like this heat wave, I really miss him.

These times cry out for an opportunity for heat–weary people to shout in unison, "How hot is it?"

Jacy Marmaduke of the Dallas Morning News has been keeping area residents advised as local temperatures have cracked triple digits daily for four straight weeks now.

Recently, this summer's heat wave claimed the second slot on the historical list. It overtook the summer of 1998 a few days ago.

I was living in Dallas in the summer of 1998, and that was, indeed, a brutal summer. I was working for a trade magazine and I had to cover a trade show in Chicago that July. While I was there, I encountered quite a few people who had come from places to the north — and some were complaining of the heat.

Personally, I didn't find the heat in Chicago nearly as severe as the weather I had just left. The difference was noticeable upon my return.

I don't think that would be true this summer. Nearly the entire country has been sweltering. It's been easing lately in places where it usually doesn't get that hot, but much of the country remains in the heat wave's grip.

Depending upon the cloud cover we have, our streak of triple–digit days may come to an end around here tomorrow — but, even if it does, the immediate forecast suggests that a brand–new streak is likely to begin on Sunday, and that one seems certain to continue for awhile.

Besides, as a meteorologist told Marmaduke, there isn't much difference between 99° and 100°. The difference is almost entirely psychological.

If the streak does not end tomorrow, the summer of 2011 may well go down as the hottest on record — at least in terms of consecutive 100° days.

To accomplish that, it will have to exceed the triple–digit streak of 1980 — and it just might do that, but it will never match the intensity of the summer of 1980.

I remember that one, too.

I wasn't living in Dallas in those days, but my grandmother was, and I remember coming here with my mother to visit my grandmother, who was starting to experience symptoms of dementia.

Daytime highs in 1980 seemed to get past 100° before noon and just kept climbing through the afternoon. I remember several days when temperatures flirted with 110° (the worst actually exceeded 110° a few times) — and I remember driving on the streets of Dallas and hearing the asphalt squish beneath the tires.

In 1980, a daytime high of only 100° was seen by some as a sign of an imminent cool front (it never was, but hope sprang eternal. Those triple–digit temperatures were daily facts of life for more than six weeks).

Needless to say, you could do a lot more than fry an egg on the pavement.

This summer's heat wave has been a scorcher, but the summer of 1980 (if it possessed human characteristics) would scoff. I can just imagine the things it would say. "Amateur!" it would sneer. "In my day, I gave 'em heat they're still talking about three decades later."

If some have their way, though, that consecutive triple–digit streak will tumble, and the summer of 2011 will be atop the list when all is said and done.

Marmaduke quotes a 15–year–old from Plano who wants a streak he can tell his grandkids about.

All I can say is, be careful what you wish for.

Wednesday, October 21, 2009

The Quest for Inspiration

I was chatting online last night with an old friend of mine. At one point, she misunderstood something I wrote, and I tried to clarify it for her.

I pointed out to her that it can be difficult to communicate in writing. So many things that people rely on to correctly interpret what someone is saying are missing — tone of voice, facial expression, body language. It's got to be the main reason why "emoticons" were created.

"Emoticon" is the fancy word for those smiley faces people make with the parentheses and the colons and the semicolons to indicate that they were smiling or winking (or whatever they were doing) when they wrote the sentence that preceded. And if they're used appropriately — and sparingly — they really can help the reader better understand what was written.

But they seldom are used sparingly. Many people use them excessively, like internet acronyms (i.e., "LOL"). And anything that is used excessively tends to lose its value.

Things like emoticons and acronyms strike me as lazy devices that are used by people who either have nothing to say or no clue how to express what they want to say. When I receive an e–mail from someone who punctuates every sentence with an emoticon or an "LOL," I don't think that person is smiling or laughing constantly. If I did, I would probably think that person was an airhead.

I've had the misfortune of crossing paths too often with people who believe — mistakenly — that anyone can write. It's all just stringing a bunch of words together.

Well, I studied writing in journalism school, I've written for newspapers and a trade magazine and I've taught writing to undergraduates. And I can tell you that there is a whole lot more to it than that.

And sometimes, even people who have been writing for years and years fall victim to what is known as "writer's block." When you're stuck in "writer's block," you might as well be mired in quicksand — and freeing yourself can be hard. A skilled writer can make it look effortless, but it isn't.

That reminds me of a story.

When Johnny Carson was the host of "The Tonight Show," the show continued to have original programs in his absence because he arranged for someone to fill in for him. Today's late–night hosts don't do that, but in Carson's day, getting a gig as the guest host was quite a coup for a rising comedian. In fact, Carson's successor, Jay Leno, was a guest host on several occasions.

The guest hosts often came through when given their moments in the spotlight, but sometimes they bombed out. I don't remember if I read about this in a book or an article or if I saw someone talking about it in an interview, but once, when the guest host really bombed, Carson called him when the show was over and said, "It ain't as easy as it looks, is it, kid?"

That's the deceptive thing about writing. It looks easy, but it really isn't.

Take this blog, for example. I've been writing it for more than two years now. Three weeks ago, I wrote my 1,000th post, and I shared that milestone with my readers.

My objective, when I started writing this blog, was to write at least one item every day. You don't have to be a math major to figure out that 1,000 posts in two years averages out to about 1½ posts per day so, on the surface, I have met my objective, but, in reality, there have been days when I posted two or three items, and there have been other days when I posted nothing.

Sometimes, I just can't think of something to say. But lately, my problem hasn't been thinking of something to say. My problem has been that I find myself writing about the same topic — unemployment — too much. I guess that's what you might call an occupational hazard, except that, at the moment, I have no occupation. I'm one of the millions of jobless Americans, and, the longer this drags on, the more I find myself fixating on job creation.

Joblessness seems to be the only thing that really matters to me these days. That's not really true, of course. I care about many things. I'm interested in many things. But they seem to get blocked by this void in my life.

I know this guy who lives in North Carolina and writes a blog. (Well, I say that I "know" him, but we have only communicated online.) He does a lot of things with his blog that I would like to do. We were chatting one evening, and I mentioned that I'd like to write some humorous posts or flex my storytelling muscles more than I do, but I can't seem to get into it mentally right now.

I hope to do something like that later on, I told him. I'd like to write some light–hearted things.

"When you get a job?" he asked.

Yes, I replied.

We said no more about it, but I think he understood. And I hope you do, too.

Don't get me wrong. I want to write about serious topics, and it doesn't get any more serious than feeling that you are self–sufficient and that you have a purpose.

This experience has shown me the toll that joblessness can take on someone's self–esteem so I've learned something I would like to apply to my work when I become a productive member of the economy again.

But, at the same time, I would like to write about things I see that amuse me or intrigue me.

It ain't as easy as it looks.